The Processes Used

[cs_content][cs_section parallax=”false” separator_top_type=”none” separator_top_height=”50px” separator_top_angle_point=”50″ separator_bottom_type=”none” separator_bottom_height=”50px” separator_bottom_angle_point=”50″ style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][cs_text]The Chemistry of Art > 1. Pigments in Painting > The Processes Used >[/cs_text][cs_text style=”color: #800000;font-family: “Oxygen”,sans-serif;”]The processes used and the chemistry involved to prepare and attach pigments to surfaces in a named example of medieval or earlier artwork[/cs_text][cs_text]Name: Saint John the Baptist with St John the Evangelist and Saint James

Date: 1365

Outline:

  • Altarpiece from Florentine church owned by knights of Malta
  • Expensive commission with large amounts of ultramarine and gold

Composition:

  • Much of the painting is gilded and coated with gold
  • Areas coated with mixture of iron (III) oxide and egg white before gilding
  • Gold leaf added using egg white ‘glue’ then polished
  • Floor covering was gilded then painted over with red lead in egg tempura
  • Decorative flowers and birds was coated with ultramarine in egg tempera
  • Wet paint scraped away from flowers to reveal gold below

John the Baptist: (Central)

  • Robes are crimson lake using cochineal with layers of white lead
  • Robe lining was coated with ultramarine

Saint James:

  • Ultramarine robes

Saint John the Evangelist (Left)

  • Ultramarine mixed with lead tin yellow robes
  • Some sections of book and cloak lining was blackened due to exposure to sunlight forming mercury (II) sulfide

Flesh:

  • Underpaint of green earth
  • Additional layer of brown and red earth
  • Green tinge to flesh due to certain factors such as years of wear caused by polishing and egg tempura growing transparent with age

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